[Going Deep] Doc2Dock “Save Our Supplies” Process
Background from the Directors COMBINED PROCESS WRITING WITH LAYOUT CUES Cassidy Gearhart: Save Our Supplies is a PSA for the non-profit Doc2Dock that Julian…
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Justin Cone • 13 years ago
Siggraph 2011: Damian Nenow “Paths of Hate”‘ Interview
The trailer for Paths of Hate showcased its effortless combination of comic book visual style with dynamic dogfighting camera motion and kinetic editing. The film…
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Michelle Higa Fox • 13 years ago
[Interview] John Kassab: “Childhood of a Circle”, et al.
As I was being transported back to my youth watching Childhood of a Circle, I noticed a thread lining several recent posts here… Melbourne-based audio…
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Matt Hunter Ross • 13 years ago
Hornet & Blinkink for Toyota
Directors Sumo Science, Yves Geleyn, Gabe Askew, and Major Briggs bring four very different – but equally cool – perspectives to the “Stories of Better”…
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Elliot Blanchard • 12 years ago
The Peach Kings “Mojo Thunder” [NSFW]
Kris Merc and Benjy Brooke talk about the deeply personal process of making a music video.
Justin Cone • 10 years ago
How I Learned To Stop Worrying and Start Loving the Graph Editor
Editor’s note: As part of our ongoing education series, we present a guest post from Nol Honig, co-founder of The Drawing Room and part-time professor…
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Nol Honig • 9 years ago
From motion design to game design: In-depth process behind Specimen
“I wanted to be a beginner again and feel like I was growing.” Those words from designer/director Erica Gorochow encapsulate the primary motivation behind deciding…
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Justin Cone • 9 years ago
Are brick and mortar design schools worth it?
An engaging interview and a follow up article from two leaders in online education for motion design challenge the value of traditional four year design…
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Justin Cone • 9 years ago
VR without goggles: “Field Trip to Mars” sends a souped up school bus to space
Winning 19 awards at Cannes last month, "Field Trip to Mars" is an innovative group VR experience powered by stunning real-time visuals and a bus-load…
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Justin Cone • 8 years ago
“Overweight”
Joe Donaldson • 8 years ago
A leader of the heart: Are you one of them?
A series of compact, heart-charged articles where executive coach Marie Reig Florensa - together with Carlos El Asmar - explore what it means to “lead…
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Marie Reig Florensa • 2 years ago
Nickelodeon Global Rebrand | Project Breakdown
Give us a brief introduction to yourself and the studio. My name is Braden Wheeler and I’m an on-the-box creative director (with a general focus…
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Staff • 7 months ago
Reliving The Past Motion Awards Winners! | Dreams of Dalí / Goodby Silverstein & Partners
The Dalí Museum in Florida sought to attract a wider audience to its exhibition, Disney and Dalí: Architects of the Imagination. To achieve this, they…
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Staff • 2 weeks ago
Julia Pott: The Event
Julia Pott (Hornet) has struck again. “The Event” is an apocalyptic love story based on a Tom Chivers poem by the same name. As in…
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Justin Cone • 12 years ago
Making “The Wisdom of Pessimism”
For his directorial debut, Claudio Salas took on an ambitious challenge: a 2-minute visual essay for the philosopher Alain de Botton’s School of Life project. What began as…
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Justin Cone • 9 years ago
Making “Uncanny Valley,” an eye-popping sci-fi short about a very possible future
The sci-fi short "Uncanny Valley" presents a grim but very possible future in an eye-popping style laced with beautiful VFX work. Our chat with the…
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Justin Cone • 9 years ago
Inside SIGGRAPH 2006
Monster Samurai / Grace McNamee Doll Face / Andrew Huang Brush / Victoria Caution Fog (Niebla) / Santi Fort e-scape / Masakazu Takano Mask of…
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Justin Cone • 18 years ago
Michael Wiehart and Visual Comforts for The Florida Times Union
Michael Wiehart and Visual Comforts for The Florida Times Union
Staff • 15 years ago
Lloyd Alvarez: aescripts + aeplugins
Whispered around studios back in 2005: “There’s a guy… He figured out how to get After Effects to render in the background and then you…
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Michelle Higa Fox • 12 years ago
Crafting graphics for the Oscars: An interview with Henry Hobson
Like people who tune into the Super Bowl just to watch the ads, I turn on the Oscars just to watch the graphics. The opening…
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Justin Cone • 10 years ago
In-Depth: Making the Best of Motionographer with Aran Quinn and Mill+
With the word “motion” emblazoned in white block letters on its back, a blue, muscle-bound creature deadlifts a barbell and turns to face the camera,…
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Justin Cone • 9 years ago
Papercraft and pop-ups for Pellegrino
Directing duo Parallel combined two popular motion design tropes — faux papercraft and pop-up books — to create a sumptuously designed spot for Pellegrino, “Are…
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Justin Cone • 9 years ago
Yule Log 2.015
Your favorite digital holiday tradition is back! For the 3rd season in a row, the Yule Log project has invited artists from around the world…
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Justin Cone • 9 years ago
