How I Learned To Stop Worrying and Start Loving the Graph Editor

[…] professor at Parsons. Nol’s refreshingly honest story proves the value of lifelong learning, regardless of age or experience. I had questions that I couldn’t answer. That’s… Read more

Nol Honig • 9 years ago

The long journey to “Lostopolis,” an interview with PandaPanther

[…] few actually get started on the long, circuitous journey to that goal. Over the last few years, New York-based PandaPanther has crafted over two… Read more

Justin Cone • 9 years ago

On The Back Of A Tiger

[…] common to start thinking of every project as a :15, :30 or :60. This can be a tough mold to break. With the constant… Read more

Joe Donaldson • 9 years ago

SoundOn with Sono Sanctus

[…] by storm. From social media and how individuals communicate down to bedrock institutions like print media and editorial illustration, the world is seemingly in… Read more

Joe Donaldson • 6 years ago

Scale, Light, and Form: Finding Creative Inspiration in Architecture

[…] architecture. I can personally attest to the influence architecture has had on my own work. That’s not to say that I was always aware… Read more

OOY • 4 years ago

1K Studios: Call for Reels

[…] ethic in a team environment E-mail: jobs@one-k.com with your resume and link to an online portfolio. PLEASE INCLUDE RATE AND CONTACT INFORMATION 1K Studios… Read more

Justin Cone • 18 years ago

Stepping Back

[…] in the introduction: The work just changes as sense of his audience expands; at the beginning it isâ€â€?as with most start-up design firmsâ€â€?the person… Read more

Justin Cone • 18 years ago

Superfad: Honda “Crave” Series

[…] Thomas, Phiphat “P” Pinyosophon CG Artist/ Compositer: Brian Demong, Tom Oakerson Compositor: Matt LaVoy, Dennis Wilkins, Jance Allen Editor: Charles Jensen Rubin Postaer credits:… Read more

Justin Cone • 18 years ago

Motion Takes Over: More Evidence

[…] lives. Yes, there have been JumboTrons and similar technologies for decades, but their low resolution and slow refresh rates made for crude animations that… Read more

Justin Cone • 18 years ago

Arno Salters: Me and My Goldfish Were Going to the Pub

[…] 80s). Visually and aurally, it’s a wild ride stuffed with chuckle-worthy gags. The project was part of the Me and My Goldfish series, a… Read more

Justin Cone • 17 years ago

Monsta’s box of tricks for Luft Logistics

[…] and post. The whole project took around 2 months to complete. Post was completed using AE, Poser and Cinema 4D. Oh, and thanks to… Read more

Simon Robson • 16 years ago

Fortissimo/Psyop to Merge with Stink?

[…] the boutique—small privately owned shops working with cutting edge tech that enabled desktop production without massive investment. Is this Psyop/Stink merger a harbinger of… Read more

Justin Cone • 16 years ago

Cisma: Adobe “Le Sens Propre”

[…] Jesse Gazzuolo Broadcast Producer: Brian Coate Production Company: Blacklist, New York Writer & Director: Cisma Executive Producers: Aaron Kisner, Adina Sales Producer: Cassie Hamilton… Read more

Justin Cone • 16 years ago

WeWereMonkeys: Land of Talk “It’s Okay”

[…] week. We figured this would give us a lot of freedom, and bonus, we’d learn how to use a RED! To help us shoot,… Read more

Matt Lambert • 15 years ago

Blue Source & A52 Crew for LEGO

[…] Creative Director Jason Apaliski – ACD/Art Director Jaime Robinson – ACD/Writer Sara Krider – Producer Jeff Ferro – Director of Production Gary Theut –… Read more

Matt Lambert • 15 years ago

VFX Online Town Hall Session One: LiveBlog

[…] “The sensibility of who we are and what we have to offer has to change.” We are the ones who put the butts in… Read more

Bran Dougherty-Johnson • 15 years ago

Against All Odds/XYZ Studios for Victorian Government

[…] Clark PRODUCTION COMPANY XYZ Studios & againstallodds DIRECTOR againstallodds EXECUTIVE PRODUCER Hamish Macdonald (XYZ) Josh Thorne (AAO) CREATIVE DIRECTOR Derek Picken PRODUCER Fritte Coliander… Read more

Lilian Darmono • 15 years ago

TiRA for ASTRA

[…] is a heavyweight in providing communications to major European markets – from radio and broadcast to broadband and 3D technologies.  Thus, with society’s ever-increasing… Read more

Matt Hunter Ross • 14 years ago

Blue Source & A52 for LEGO: The Brick Thief

[…] Creative Director Jason Apaliski – ACD/Art Director Jaime Robinson – ACD/Writer Sara Krider – Producer Jeff Ferro – Director of Production Gary Theut –… Read more

Matt Lambert • 14 years ago

Blur Talks: “The Girl with the Dragon Tattoo” Titles

[…] Group Concept Design Jason Felix Norn Jordan Sean McNally Jared Purrington Onur Senturk Joshua Shaw Tom Zhao Motion Capture TDs Anthony Romero Brian McKee… Read more

Staff • 13 years ago

Rest in Peace: Hillman Curtis

[…] down or left from right, I was looking for mentors. I was looking for someone to guide me through the fog of building a… Read more

Justin Cone • 13 years ago

Way to Go, a VR-friendly walk through the woods

[…] Jenny Thibault Assisted by Karine Sévigny Information Technology: Sergiu Raul Suciu Press Relations: Nadine Viau & Melissa Than Technical Coordinator: Mira Mailhot Sound Recording:… Read more

Justin Cone • 10 years ago

Aardman Nathan Love is born

[…] has been racking up awards (including a shelf full of BAFTAs and Oscars) for their films, music videos and, more recently, interactive experiences and… Read more

Justin Cone • 9 years ago

Zulu Alpha Kilo: Spec

[…] another sign of their deepening insecurity in the face of their undeniable slide into irrelevance. There are good agencies, to be sure. And agencies… Read more

Justin Cone • 9 years ago