Oddfellows does it again. This time for Adobe resulting in a Motion Award win.
The taste of success is sweet. Don’t be bitter, submit to the 2020 Motion Awards!
Millie Verastegui • 4 years ago
The Lost Thing: Interview With Shaun Tan
[…] unknown outside Australia until it won an award at the Bologna International Children’s Book Fair. There it came to the attention of Andrew Ruhemann…
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Lilian Darmono • 14 years ago
Understanding Patrick Clair
Ever wonder what makes Patrick Clair’s work so darn good? Nol Honig sits down with the Emmy Award-winning title designer to find out. Hint: it’s…
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Nol Honig • 7 years ago
Old Fangs – Adrien Merigeau & Alan Holly
[…] And we also wanted them to work like everyone on the film, just for them to do what they felt was best. So we…
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Michelle Higa Fox • 14 years ago
MTV 55DSL + EMA 2010
These all came out at the same time, so we thought we’d do a short and sweet round-up post showcasing everything! First we have five…
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Boca Ceravolo • 14 years ago
See No Evil: 1 Year Anniversary
[…] what’s your mission? See No Evil is an bi-month event and a blog for all Animators, Designers and Directors to show and discuss our…
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Bran Dougherty-Johnson • 15 years ago
Marco Brambilla: Civilization
[…] to go from a hellish landscape to a heavenly one. We began with exploring the idea of using a game engine to house the…
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Justin Cone • 16 years ago
Onesize: Playground Titles
[qt:https://motionograph.wpengine.com/wp-content/uploads/2009/10/PlaygroundsTitle_H264.mov 900 506] Onesize creative director Rogier Hendriks: We ended up with the idea to have two fighters on a children’s playground. Kind of a…
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Jon Saunders • 15 years ago
The Games We Play Q&A
Watch Moto Watch Running Watch Fitness Watch Golf Questions: What was your process like at the concepting stage? Your films require the viewer to connect-the-dots…
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Bran Dougherty-Johnson • 15 years ago
NFL on Fox Sports Redesign by Michael Cina Q&A
Can you give us a little background on how this project started and the approach you took with it? Around four years ago we were…
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Bran Dougherty-Johnson • 14 years ago
EXCLUSIVE: Making of King and Country’s Motel 6 “Metamorphosis”
[…] our compositors to work with in After Effects. Having our Maya artists render out UV passes allowed the compositors to take a 2D texture…
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Staff • 12 years ago
SXSW 2012: Beauty is Embarrassing
Disclaimer: Wayne White was a speaker at the 2011 F5 festival. His talk there makes an appearance at the end of this film. We covered…
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Michelle Higa Fox • 12 years ago
Nickelodeon Worldwide Refresh: Interview with dyrdee
Just in time for the back-to-school season, Nickelodeon, the children’s television network, is refreshing their worldwide broadcast package with a series of bubbly graphics that…
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Brandon Lori • 10 years ago
Superteam proves power of collaboration in title sequence for FITC Tokyo
To kick off the FITC Tokyo 2015 conference, a superteam of artists working around the world (and sometimes around the clock) created a sublimely glitchy…
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Justin Cone • 10 years ago
Crafting graphics for the Oscars: An interview with Henry Hobson
Like people who tune into the Super Bowl just to watch the ads, I turn on the Oscars just to watch the graphics. The opening…
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Justin Cone • 10 years ago
In-Depth: Making the Best of Motionographer with Aran Quinn and Mill+
With the word “motion” emblazoned in white block letters on its back, a blue, muscle-bound creature deadlifts a barbell and turns to face the camera,…
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Justin Cone • 9 years ago
School Profile: Savannah College of Art & Design
Editor’s note: This is the first in a series of school profiles we’ll be sharing on Motionographer. The following profile was compiled in August, 2015. Since…
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Justin Cone • 9 years ago
An interactive love story: Making Jeff Buckley’s “Just like a Woman”
[…] — and we didn’t support out of the box. To us (at interlude), that’s the best way to evolve our technology. The first thing we did…
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Justin Cone • 9 years ago
Kim Dulaney on going freelance and mastering her craft
If you’ve worked in the New York motion scene at all, you’ve probably heard of Kim Dulaney. Revered for her naturalistic yet meticulous approach to everything…
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Justin Cone • 10 years ago
Artist Profile: Graham Elliott
Everyone finds their own way into the ever-expanding house of motion design. Side doors, back doors, parachuting onto the roof — it seems any entrance…
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Justin Cone • 10 years ago
Q&A: Gergely Wootsch demystifies the Magna Carta
[…] for animation. Do you think your Hungarian roots influence your animation sensibilities? I’m 29 years old. I spent 21 in Hungary and the rest…
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Justin Cone • 10 years ago
Guilherme Marcondes on going it alone
[…] out on your own? I had a great time at Hornet, and our goals matched for a while. But now I want to expand…
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Justin Cone • 10 years ago
6 motion design industry predictions for 2015
[…] for 2016. 2015 will be all about wowing consumers with incredible showcases of immersive experiences. Thankfully, much of the design and production work this…
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Justin Cone • 10 years ago
