Jonny Kofoed, PAMS Q&A

[…] working on? I’ve just completed a commercial for Mercedes that was released on ipad, but I’m really concentrating on working with good people and… Read more

Mass Animation: A Guest Rebuttal

Back in July, I scribbled out a diatribe against Mass Animation, a Facebook-supported competition to create a CG short film by crowd-sourcing the animation to… Read more

Psyop: In-Depth with Tony Barbieri

This interview with Technical Director and Project Lead Tony Barbieri is part of a three-part series that goes deep behind the scenes with Psyop regarding their… Read more

Shape Shifter

[qt:http://motionograph.wpengine.com/wp-content/uploads/2011/01/chrlx_shapeshifter.mov 960 540] Interview with Director Alex Weil First of all, would you talk a little bit about yourself, your background and your current position… Read more

Work/Life: From the Comments

Carol Browne Our recent interview with Ash Thorp sparked an intense discussion here and elsewhere on the web that went well beyond Ash’s personal take… Read more

The History of Magic in North America

[…] is two-fold: Promote the new US-based stories penned by Rowling and available on Pottermore, the official online companion to the Harry Potter books and films.… Read more

SPECTRUM: Yussef Cole

[…] still a very niche skill back then. He taught himself the software to take up those jobs, moved back to New York and ended… Read more

Fx & Mat: Coke “Siege”

[…] project.  As it turned out, some of the characters that made it to the final cut came from Florian Caspar who was a new… Read more

David Prosser: Matter Fisher

[…] textural richness of this film. We are still friends. What are you up to now? Since graduating from the RCA I have joined the… Read more

Nike Football: The Last Game

[…] Editor: Alyssa Coates Post Executive Producer: Patty Brebner Online Finishing: Glassworks Colourist: Duncan Russell Smoke Artist: Aleks Ugarow Executive Producer: Misha Stanford-Harris Titles/Graphics: WK… Read more

Aardman Nathan Love is born

[…] drawings, and the next day we were modeling.” The inspiration for the film came from looking back at Aardman’s stop-motion roots. As part of Aardman’s… Read more