Amsterdam DNA revisited

There has been a surge of motion media on the museum-going experience as of late — which will be elaborated on in a later post… Read more

Matt Hunter Ross • 12 years ago

Beakus Studios + Daniel Chester/Moth: The Epistle

Seems only natural that Moth Collective would follow up the fantastic Mad Dogs and Englishmen by working with Beakus Studios on this section from the feature… Read more

Elliot Blanchard • 11 years ago

Fido’s Energy Giant

Swedish Animation Studio Fido flexes their muscles to animate this story about building the sustainable future for RWE. Together with German agency Jung von Matt,… Read more

Mate Steinforth • 15 years ago

Tendril, relaunching and repositioning in a shifting landscape

Toronto-based Tendril relaunched their web presence today, joining the growing number of nimble, mid-sized shops repositioning themselves in response to the hand-writing on the wall: … Read more

Justin Cone • 9 years ago

Conan O’Brien and Moth Studio, now that’s some award winning story telling. Motion Award recipient.

Bring words to life? Put your submission where your mouth is and submit to the 2020 Motion Awards.

Millie Verastegui • 4 years ago

GoldRunner, Vivian Rosenthal and Augmented Reality

I cut my teeth on motion design at turn of the 21st century, when the desktop computer revolution was in full swing. A handful of… Read more

Justin Cone • 11 years ago

Nathan Love Updates: McGraw Hill and Ring Force

Nathan Love for McGraw Hill: “Wonders”  With their latest batch of work, Nathan Love gets in touch with their inner child by rolling out two… Read more

Brandon Lori • 12 years ago

Artist Profile: Graham Elliott

Everyone finds their own way into the ever-expanding house of motion design. Side doors, back doors, parachuting onto the roof — it seems any entrance… Read more

Justin Cone • 9 years ago

Remembering gravity: The animated story of an astronaut coming home

Gunner partnered with Great Big Story to bring to life the observations and journey of astronaut Leland Melvin as he acclimates to life back on… Read more

Joe Donaldson • 8 years ago

Interview: 72andSunny and Fulltank

Fulltank recently created a beautiful spot for the Zune Arts Films campaign entitled “Dogfight,” the first of many done so far to break out from… Read more

Jon Saunders • 17 years ago

ANNY: Ukiyo-e

QuickTime Version I’m always curious about Japanese motion graphics studios. I know so little about how Asian studios in general are set up, and yet… Read more

Justin Cone • 16 years ago

Blood Trail Interview

[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/06/bt.mov 720 405] Storyboards and Development Check out the storyboards and some making-of imagery behind this epic project. Interview The following is an interview with the… Read more

Lauren Indovina • 15 years ago

yU+co: Cirque du Freak Titles

[qt:https://motionograph.wpengine.com/wp-content/uploads/2009/10/cirque-du-freak.mov 720 405] Interview with Motionographer’s Brandon Lori: How hands-on was Paul Weitz, director of Cirque du Freak, in the creation of the main title,… Read more

Brandon Lori • 15 years ago

Truffle Pig, an other-worldly virtual reality experience from Gentleman Scholar

LA-based Gentleman Scholar have joined the growing number of animation studios seduced by the creative possibilities (and technical challenges) of virtual reality as a storytelling… Read more

Justin Cone • 9 years ago

Dash Studio: The Origin Story

Typically a trip to the City meant late nights, dollar pizza, and a few hangovers, but this time felt a little different; this visit had… Read more

Mack Garrison • 3 years ago

Hybrid by birth: Getting to know Animade

I first became aware of London-based Animade via their iOS game Ready Steady Bang, a twitchy dueler packed with charming animation. They popped up again on… Read more

Justin Cone • 9 years ago

Virtual reality is not filmmaking

Let’s agree on something: 360-degree video presented inside a virtual reality headset isn’t really virtual reality. It’s a novel, sometimes powerful experience, but it’s not what makes VR arguably the most… Read more

Justin Cone • 9 years ago

The Story of GOOD Oil

Big Animal Studio for GOOD Oil

Matt Hunter Ross • 14 years ago

Much Better Now

The studio Salon Alpin (Portugal) has recently released this fantastic in-house piece called Much Better Now. In their words: Much Better Now is an independent… Read more

Daniel Coutinho • 12 years ago

How to change the world (and get paid for it): Making SolarCity “How Energy Gets To You”

Learn how a group of passionate environmentalists used innovative production techniques to tell stories that genuinely matter to them — all while getting paid.

Justin Cone • 8 years ago

Welcome to the Industry Feed

Welcome to Motionographer’s new Industry feed. In this area, you’ll find news about: new studios and new hires technology announcements relevant business deals and budding… Read more

Justin Cone • 16 years ago

In-Depth Coverage: Stylefames NY Opener

Conference openers have become the vehicle of choice for many studios to show what they can do without an overbearing client or agency brief hemming… Read more

Staff • 11 years ago

Technical Breakdown: Seeing Without Sight

John Likens, from Method Studios, on pitching and creating the opening sequence for SEE Season Two. Recent winner of a Motion Award for best tv/streaming… Read more

John Likens • 2 years ago

RoadNorth: “Omar and His Skyhook”

Brooklyn studio RoadNorth tells a story of courage and innocence in “Omar and His Skyhook.”

Brandon Lori • 15 years ago