Beakus Studios + Daniel Chester/Moth: The Epistle
Seems only natural that Moth Collective would follow up the fantastic Mad Dogs and Englishmen by working with Beakus Studios on this section from the feature…
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Elliot Blanchard • 12 years ago
Fido’s Energy Giant
Swedish Animation Studio Fido flexes their muscles to animate this story about building the sustainable future for RWE. Together with German agency Jung von Matt,…
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Mate Steinforth • 15 years ago
Tendril, relaunching and repositioning in a shifting landscape
[…] on the wall: Broadcast isn’t dead, but the more reliable — and often more interesting — work is increasingly found in other places. As a…
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Justin Cone • 10 years ago
Conan O’Brien and Moth Studio, now that’s some award winning story telling. Motion Award recipient.
Conan O’Brien – The White Stripes / Moth Studio WINNER / VISUAL ESSAY > COMMERCIAL CATEGORY DESCRIPTION Explanatory or educational video promoting a product or service…
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Millie Verastegui • 4 years ago
GoldRunner, Vivian Rosenthal and Augmented Reality
I cut my teeth on motion design at turn of the 21st century, when the desktop computer revolution was in full swing. A handful of…
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Justin Cone • 12 years ago
Nathan Love Updates: McGraw Hill and Ring Force
[…] latest batch of work, Nathan Love gets in touch with their inner child by rolling out two projects that not only showcase their strength…
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Brandon Lori • 12 years ago
Artist Profile: Graham Elliott
[…] Star Wars meets Pee Wee’s Playhouse vibe, which combined our performance work, set design and live action directing. https://vimeo.com/120615947 We’d act in it ourselves…
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Justin Cone • 10 years ago
Remembering gravity: The animated story of an astronaut coming home
Recently formed by Ian Sigmon and Nick Forshee, Gunner is an animation studio in Detroit with an emphasis on design-driven animation. Gunner partnered with Great…
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Joe Donaldson • 9 years ago
Interview: 72andSunny and Fulltank
[…] this comes to fruition. The following questions are in chronological order of the creative process, with questions going to the agency first and then…
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Jon Saunders • 17 years ago
ANNY: Ukiyo-e
QuickTime Version I’m always curious about Japanese motion graphics studios. I know so little about how Asian studios in general are set up, and yet…
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Justin Cone • 16 years ago
Blood Trail Interview
[…] talking about our next dream-job… something that we had never done before: ultra violent and really gory. Then, out of the blue we were…
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Lauren Indovina • 15 years ago
yU+co: Cirque du Freak Titles
[…] during postproduction, especially when it comes to the end stage of making of the film. Directors usually are very busy in final audio mixing…
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Brandon Lori • 15 years ago
Truffle Pig, an other-worldly virtual reality experience from Gentleman Scholar
LA-based Gentleman Scholar have joined the growing number of animation studios seduced by the creative possibilities (and technical challenges) of virtual reality as a storytelling…
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Justin Cone • 9 years ago
Dash Studio: The Origin Story
Typically a trip to the City meant late nights, dollar pizza, and a few hangovers, but this time felt a little different; this visit had…
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Mack Garrison • 3 years ago
Reliving The Past Motion Awards Winners! | Story / Skillbard
[…] no music throughought the body of the film, sound design was instrumental in building the tension and choas that carries Jola’s frustration as well…
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Staff • 2 months ago
Hybrid by birth: Getting to know Animade
[…] Steady Bang, a twitchy dueler packed with charming animation. They popped up again on my radar last week when they released a quirky short…
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Justin Cone • 10 years ago
Virtual reality is not filmmaking
[…] medium come to light, showing it to be powerful in a way that was not possible before. An LA Times article covering the release…
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Justin Cone • 9 years ago
The Story of GOOD Oil
Big Animal Studio for GOOD Oil Picture 3
Matt Hunter Ross • 14 years ago
Much Better Now
The studio Salon Alpin (Portugal) has recently released this fantastic in-house piece called Much Better Now. In their words: Much Better Now is an independent…
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Daniel Coutinho • 12 years ago
How to change the world (and get paid for it): Making SolarCity “How Energy Gets To You”
Learn how a group of passionate environmentalists used innovative production techniques to tell stories that genuinely matter to them — all while getting paid.
Justin Cone • 9 years ago
Welcome to the Industry Feed
[…] to Motionographer’s new Industry feed. In this area, you’ll find news about: new studios and new hires technology announcements relevant business deals and budding…
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Justin Cone • 16 years ago
In-Depth Coverage: Stylefames NY Opener
Conference openers have become the vehicle of choice for many studios to show what they can do without an overbearing client or agency brief hemming…
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Staff • 12 years ago
Technical Breakdown: Seeing Without Sight
John Likens, from Method Studios, on pitching and creating the opening sequence for SEE Season Two. Recent winner of a Motion Award for best tv/streaming…
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John Likens • 3 years ago
RoadNorth: “Omar and His Skyhook”
Brooklyn studio RoadNorth tells a story of courage and innocence in “Omar and His Skyhook.” OmarSkyhook_Quickies OmarSkyhook_Quickies
Brandon Lori • 15 years ago