In this powerful and honest Motionographer Guest Post, the amazingly talented Laura Alejo offers some perspective on what it’s like being one of New York City’s top creatives as your family expands, your perspectives change, and you work to hold onto what matters most.
In this Step by Step profile, look over the shoulder of one of our industry’s best. Here, Freddy Arenas dives deeper into his recent exploration of 3D character animation.
Textures can be a great way to enhance your work. They can also be quite laborious! Thankfully, Sander van Dijk is here to make all of our lives a lot easier with Ray Dynamic Texture.
In this Motionographer Q&A, we chat with Daniel Savage about his new film for Al Jazeera, the growing momentum of visual essays and the need to slow things down in this digital world of ours.
In this Motionographer exclusive we sit down with director Erica Gorochow to discuss her new collaborative film “Dear Europe” and what it means to do work outside the bounds of advertising.
Just in time for the entry deadline of March 1st, the following guest post from Sissy Hobizal of FirstMates reveals the process behind branding The Motion Awards by Motionographer. First Mate’s goal: build an ego-destroying design machine to do the work for them.
In this issue of SPECTRUM, Lilian Darmono chats with Algernon Quashie about challenging the status quo and drawing on music as a creative advantage
Allen Laseter has set the bar quite high on what someone can produce on their own. In this Motionographer Q&A, we find out about the production of Allen’s new film for Ted-Ed as well as what the animation scene is like down in Nashville.
Ever wonder where all the old people are in the motion design industry? Don’t worry, you’re not alone. Luckily, in this month’s Guest Post, Joey Korenman dives deep into this age-old question.
