Creative Parents, Creative Kids
In collaboration with reader Joe Linton, we conducted an informal survey in May asking parents about the role that creativity played in their parenting. We…
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Justin Cone • 9 years ago
User interface design: Why motion matters
For a presentation at CSSConf Australia 2015, Benjamin De Cock (no jokes, please) shared insights gleaned from years as an interactive designer with a penchant…
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Justin Cone • 9 years ago
The long journey to “Lostopolis,” an interview with PandaPanther
While many commercial animation shops dream of developing feature length films — and building valuable intellectual property in the process — very few actually get…
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Justin Cone • 9 years ago
Survival tips for women in motion design
I’ve been working in the field of motion design for 11 years. As a woman of non-Caucasian ethnicity, I’m definitely a minority in the field.…
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Lilian Darmono • 9 years ago
Introducing Motionographer Events
We just launched our Events page, where you can browse upcoming events happening around the world. Want to suggest an event? Head over to our…
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Justin Cone • 9 years ago
Adam Plouff: Building Tools for Animators
“If I’m known for anything, it’s the utilization of some of the more obscure features in After Effects and a weirdo obsession with mathematical phenomena,”…
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Erica Gorochow • 9 years ago
Self Help Dance
Justin Cone • 9 years ago
Imaginary Forces and Peepshow Collective take home 2015 Emmys
Imaginary Forces snagged an Emmy for Outstanding Title Design with their work on the TV series, Manhattan. This is the studio’s third Emmy for title design; their…
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Justin Cone • 9 years ago
“Reach”
Real-world case study of Element 3D used in product launch video that looks back at the history of aviation
Justin Cone • 9 years ago
Imagining a better After Effects with Sander van Dijk
Sander van Dijk loves After Effects. Which is exactly why he wants to change it.
Justin Cone • 9 years ago
“ZERO-DAY” Process and Q&A
Justin Cone • 9 years ago
Process: Lincoln Continental Concept
Block and Tackle and shares the process behind their painterly masterpiece promoting the Lincoln Continental concept car.
Justin Cone • 9 years ago
A horde of humans obeys the “Witch Doctor” in this creepy music video
The concept is simple: Dutch rock band De Staat’s lead singer, Torre Florim, stands in the center of a throng of shirtless men, who seem obey his…
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Justin Cone • 9 years ago
Exclusive interview: Plenty takes on Alice in Wonderland for Good Books
Argentinian studio Plenty shares the hybrid 2D/3D process behind their ambitious project for Good Books.
Justin Cone • 9 years ago
No Particular Order: Thoughts on Non-Linear Storytelling
Practical insights into non-linear storytelling from UNIT9's new Experiential Creative Director Sean Pruen
Justin Cone • 9 years ago
Blind: Looking back on 20 years
How do you survive 20 years in a business that reinvents itself every five? We chat with Chris Do, founder of Blind, about what he's…
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Justin Cone • 9 years ago
La Noria, an animated psychological horror
Veteran animator Carlos Baena (The Incredibles, Finding Nemo, Wall-E) teamed up with producer Sasha Korellis to launch an ambitious crowdfunding campaign for their short film,…
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Justin Cone • 9 years ago
Poland rising: Juice studio explains why we’ll be seeing more Polish talent soon
Poland is bristling with CG talent, and our interview with Juice studio explains why. We also dig into the technical details behind the promotional short,…
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Justin Cone • 9 years ago
Interview: Motion design and the Google identity
Google's Jonathan Jarvis tells us how integral motion design was to the recent Google rebrand, why you should give users superpowers and what kind of…
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Justin Cone • 9 years ago
Zulu Alpha Kilo: Spec
This video is making the rounds on social media, and for good reason. It’s funny, smart and spot on. Just in case you’re lost, allow…
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Justin Cone • 9 years ago
Are brick and mortar design schools worth it?
An engaging interview and a follow up article from two leaders in online education for motion design challenge the value of traditional four year design…
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Justin Cone • 9 years ago
A lottery ad that feels like a Pixar film, “Night Shift”
A selfie-taking security guard of a mannequin factory stars in this heartwarming spot for the world's biggest lottery.
Justin Cone • 9 years ago
Making “Blackout,” an interactive VR film that gives you the power of telepathy
Our in-depth interview with emerging tech filmmakers Specular goes into the process behind their upcoming experience, "Blackout," which lets you eavesdrop on the thoughts of…
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Justin Cone • 9 years ago
