 |
|
 |
 |
 |
|
Want to be on Motionographer? Submit your work now! |
|
 |
|
 |
|
 |
|
|
|
|
 |
|
|
|
|
 Get a daily digest of Motionographer's posts in your inbox. Subscribe now. |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
 |
|
|
|
|
|
|
|
 |
||
 |
 |
 |
 |
||
|
|
||
|
|
|
|
|
|
||
 |
||
 |
 |
 |
 |
||
 |
||
 |
 |
 |
 |
||
|
July 2, 2009
No Comments
July 1, 2009
Motion Theory crafts some beautiful moments for W+K Amsterdam and Tanqueray in this deceptively simple spot
June 30, 2009
Digital Kitchen gets creative with these 2 new MGD Spots. “One and the Same” and “Fresh.” Have a look below at some very interesting behind the scenes shots: Blocking move :: PoolTake :: TapFromOnSet :: CG ICE Breakdown
June 29, 2009
June 27, 2009
Talented Gene Park hits the freelance ground running with a beautiful new portfolio and 09 reel. |
||
 |
||
 |
||
 |
||
 |
||||||
 |
 |
 |
 |
 |
 |
 |
 |
||||||
RE:PLAY Film Festival: Batch FourIt’s with great pleasure that I share another batch of films created for the F5 RE:PLAY Film Festival. This time around, we’re proud to present work from Sehsucht, Crush and Bearfight. Enjoy! Sehsucht: IdeaCrush: Art of ThoughtBearfight: ContractionRelated posts:
Emilio Gomariz: Folder TypeEmilio Gomariz, a Madrid-based art director, created and colored 22,655 empty folders in OS X to create an engaging type-based animation. This video adds to the tradition of using the OS and/or software applications as media for animation. For other works in the same spirit, continue past the jump.
Imaginary Forces: Machine Vision
Check it out, along with a making-of video and some great screen design work from others. Read on…
Gobelins for Annecy 20092nd-year Gobelins students created five jaw-dropping shorts to introduce each day of screenings at this year’s Annecy festival. All of the films except Jelly Sunday are presented in the YouTube montage above. You can check out each film individually here:
Thanks to our long-time tipster, Shaun Collings.
Fresh Paint: TCM 31 Days of Oscar
Some of you may remember Fresh Paint’s stunning promo for TCM’s 31 Days of Oscar event from last year. This year’s reprise uses the same basic structure but manages to top the original somehow. Both promos “star” a masterfully cut montage, which on its own would be an achievement. But the real magic is in the interplay between the screen and the set, a metaphorical armature that works brilliantly for a promo built around the Academy Awards. I’m glad that TCM and Fresh Paint both found the courage and energy to take on this project again. Whille I’m not sure it’ll work for a third year, this encore is a welcome gift.
Logan: NASA Project “A Volta”
For the NASA (North America South America) Project’s “A Volta,” Santa Monica-based Logan built a dim lit nightmarish world of isometric madness and ultraviolence inspired by the artwork of The Date Farmers. In an interview with BoingBoing’s Xeni Jardin, Logan’s Alexei Tylevich explains the semi-narrative structure of the project:
If you’ve been following Motionographer for a while, you’re no stranger to Logan’s work. While they’re capable of producing consistently slick commercials for clients like Apple and Lexus, they refuse to be easily pigeonholed. Projects like Toyota “Meet” and their Metal Gear Solid 4 interstitials defy categorization and challenge rational thinking. Skewing towards post-modern modes of presentation that leverage dissonance, juxtaposition and suspension of resolution, these works show that Logan is as interested in exploring formal qualities of storytelling as they are in straightforward narrative. Case in point: The “making of” featurette Logan created for “A Volta” does little to reveal technical details, opting instead for an obtusely entertaining mockumentary: Read the full interview over at BoingBoing for more information.
The Vendor-Client Relationship
Motionographer’s Bran Dougherty-Johnson chats with Scofield Editorial, the creators of the funny-because-it’s-true viral hit, The Vendor-Client Relationship in the Real World.
|
||||||
|
|
||||||
 |
||||||
