Destiny: Mars Opening Sequence, Q&A with the Directors
Prologue's opener for "Destiny" kicks off one of the most anticipated games of 2014. Motionographer goes deep with its co-directors, Ilya V. Abulkhanov and Simon…
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Justin Cone • 10 years ago
From Costco supervisor to computational artist, Albert Omoss blazes his own path
In the early days of my career, I bought into something I now call “The Myth of the Rockstar.” It goes like this: You are…
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Justin Cone • 10 years ago
6 motion design industry predictions for 2015
Somehow, 2015 is here. So I dug up my crystal ball (a Times Square snow globe from 1987), put on some trance-inducing music and visited the…
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Justin Cone • 10 years ago
How Google uses motion design to make tangible tech
When Google introduced its Material Design visual language in the summer of 2014, it felt like a train I’d been expecting for years was finally pulling into the…
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Justin Cone • 10 years ago
Interactive experiences at the human scale: Making CenterStage with Andrew Bell and Lutz Vogel
It’s rare that a single project can sum up the possibilities for the convergence of motion design and interactive experiences the way that CenterStage does. Created…
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Justin Cone • 10 years ago
Tendril, relaunching and repositioning in a shifting landscape
Toronto-based Tendril relaunched their web presence today, joining the growing number of nimble, mid-sized shops repositioning themselves in response to the hand-writing on the wall: …
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Justin Cone • 10 years ago
Working backwards: From rig to character to story with Andrew Vucko
Editor’s note: This animation features cartoon-style nudity and sex, and therefore might be NSFW for some office environments. As any experienced animator will tell you, character animation…
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Justin Cone • 9 years ago
Design I/O: Connected Worlds
Online, it’s hard to get a sense of the visceral impact that large-scale interactive works can have on users. You lose the immersion factor, and…
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Justin Cone • 9 years ago
School Profile: Savannah College of Art & Design
Editor’s note: This is the first in a series of school profiles we’ll be sharing on Motionographer. The following profile was compiled in August, 2015. Since…
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Justin Cone • 9 years ago
Playgrounds Festival 2015 [NSFW]
Ten Dutch designers and studios collaborated to make the titles for this year's edition of the Playgrounds Festival. The result it one happy, random, neatly…
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Harm van Zon • 9 years ago
My Darling’s Shadow
Every frame of Conor Whelan's latest short, "My Darling’s Shadow," is a beautiful study of composition, color and reduction of form. I watched the film…
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Justin Cone • 9 years ago
School Profile: CalArts
Conceived by Walt Disney in 1960 and established through a merger of two older art schools, CalArts is one of the nation's premiere institutions for…
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Justin Cone • 9 years ago
40 Instagram accounts you should be following
Brian Gossett shares 40 of his favorite Instagram accounts — and explains why Instagram matters more than ever for artists and designers.
Brian Gossett • 9 years ago
Meteor Studios’ Unpaid Artists UPDATE
UPDATE: Sept 22, 2009 According to Dave Rand, the case is now closed. The Canadian Labor Board has now negotiated payment of 70% of what…
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Bran Dougherty-Johnson • 15 years ago
Alaska Nanooks 2010 Hockey Intro
Mike Martinez’s Alaska Nanooks’ Intro of 07-08 was a truly over-the-top pastiche of lo-fi animation with hockey, explosions, a huge Polar Bear and 80s music.…
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Bran Dougherty-Johnson • 15 years ago
SXSW 2012: Music Videos
SXSW was a music festival first, so there’s lots of love for the music video format. In addition to the music video screening, this year…
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Michelle Higa Fox • 13 years ago
Marco Brambilla: Civilization
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/03/civilization_final.mov 960 540] Installation Credits Title: Civilization (MEGAPLEX), 2008 By: Marco Brambilla Client: The Standard Hotel, New York Editor/Research Assistant: Beau Dickson Assistant: Swapna Tamhane…
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Justin Cone • 16 years ago
AICP Southwest 2011 Sponsor Reel
Dallas-based Element X Creative garners a trainload of nostalgia for the AICP Southwest Awards Show with their 2011 Sponsor Reel. Through a mixture of blood,…
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Matt Hunter Ross • 13 years ago
Interview: A Behind-the-Scenes look at Vectorpark’s “Metamorphabet”
Those interested in the future of animation often cite interactive as a new horizon. Patrick Smith, better known as Vectorpark, has been fusing his own…
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Erica Gorochow • 10 years ago
Making “Party Pooper,” a browser-based game from Animade
"For anyone trying to make a game as a small project, I’d recommend scaling it back to make it manageable — focus on the core…
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Justin Cone • 8 years ago
Giant Ant, three films & three good causes
There’s no doubt that the vast majority of people in our industry have witnessed and felt the impact of Giant Ant. In a very short…
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Joe Donaldson • 8 years ago
Interview: Quayola
Quayola at MUV festival in Florence, Italy. Watch Architectural Density Watch Path to Abstraction – Live A/V show Rome – S. Agnese Lambda Print –…
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Babe Baker • 17 years ago
Encoding Video for the Web with QuickTime Pro
One of the things we get asked about all the time is how to properly compress video for the web. Dozens of books and technical…
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Justin Cone • 16 years ago
AICP Digital: Going Deeper
Photo by Mark Sebastian When the Association of Independent Commercial Producers (AICP) announced the formation of a new chapter, AICP Digital, we wondered what impact…
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Justin Cone • 15 years ago