SXSW 2012: Beauty is Embarrasing

Disclaimer: Wayne White was a speaker at the 2011 F5 Festival. His talk makes an appearance at the end of this film. In Beauty is… Read more

Michelle Higa Fox • 12 years ago

Labour for littleBits

Nice piece by Labour for the littleBits system – love that some of the animation is actually achieved through littleBits constructions. I saw littleBits featured… Read more

Elliot Blanchard • 12 years ago

Julia Pott: Belly

Julia Pott (Hornet) is one of those rarities: an animation director with a unique voice who can actually make you feel something. The common denominator… Read more

Justin Cone • 12 years ago

Stereoscopic 3D Production for Everyone: Part 1, The Camera

Editor’s note: The following post is from guest author Kevin McAuliffe, a Senior Editor at MIJO in Toronto. (You may also be familiar with his… Read more

kevinpmcauliffe • 12 years ago

Nico Casavecchia: “A Boy And His Atom” The World’s Smallest Movie

Working with animation studio Punga,1stAveMachine’s Nico Casavecchia had the honor of creating the world’s first movie at the scale of individual atoms — the world’s… Read more

Staff • 11 years ago

Bot & Dolly: “Box” Interview and Behind the Scenes

As a follow up to our earlier post regarding the debut of Bot & Dolly’s mind-boggling short, “Box,” (above) we’re sharing an interview with the… Read more

Justin Cone • 11 years ago

Miwa Matreyek

Animator/performance artist Miwa Matryek incorporates the silhouette of her own body into projections of her lush animations. Having seen her perform at last year’s Vimeo… Read more

Michelle Higa Fox • 11 years ago

Cosmos: A Spacetime Odyssey

The all-star crew behind the reboot of a classic TV series brings something sorely needed in science: art direction.

Justin Cone • 10 years ago

Tom Rosenthal, Two Great Music Videos and Two Vimeo Staff Picks

I was first introduced to Tom Rosenthal’s music through Rosanna Wan’s animated music video for his song “I Like It When You’re Gone”. I was immediately impressed. Through simple… Read more

Joe Donaldson • 10 years ago

Q&A: Throne “Tharsis Sleeps”

What says "heavy metal" more than a few thousand frames of animated embroidery? Here's how it was done.

Andrew Montague • 10 years ago

Motion design in games with Ubisoft’s Wylie Robinson

Motion design in games? It's more important than you think. Our interview with Wylie explains why.

Justin Cone • 10 years ago

Destiny: Mars Opening Sequence, Q&A with the Directors

Prologue's opener for "Destiny" kicks off one of the most anticipated games of 2014. Motionographer goes deep with its co-directors, Ilya V. Abulkhanov and Simon… Read more

Justin Cone • 10 years ago

From Costco supervisor to computational artist, Albert Omoss blazes his own path

In the early days of my career, I bought into something I now call “The Myth of the Rockstar.” It goes like this: You are… Read more

Justin Cone • 10 years ago

6 motion design industry predictions for 2015

Somehow, 2015 is here. So I dug up my crystal ball (a Times Square snow globe from 1987), put on some trance-inducing music and visited the… Read more

Justin Cone • 10 years ago

How Google uses motion design to make tangible tech

When Google introduced its Material Design visual language in the summer of 2014, it felt like a train I’d been expecting for years was finally pulling into the… Read more

Justin Cone • 10 years ago

Interactive experiences at the human scale: Making CenterStage with Andrew Bell and Lutz Vogel

It’s rare that a single project can sum up the possibilities for the convergence of motion design and interactive experiences the way that CenterStage does. Created… Read more

Justin Cone • 10 years ago

Tendril, relaunching and repositioning in a shifting landscape

Toronto-based Tendril relaunched their web presence today, joining the growing number of nimble, mid-sized shops repositioning themselves in response to the hand-writing on the wall: … Read more

Justin Cone • 10 years ago

Working backwards: From rig to character to story with Andrew Vucko

Editor’s note: This animation features cartoon-style nudity and sex, and therefore might be NSFW for some office environments. As any experienced animator will tell you, character animation… Read more

Justin Cone • 9 years ago

Design I/O: Connected Worlds

Online, it’s hard to get a sense of the visceral impact that large-scale interactive works can have on users. You lose the immersion factor, and… Read more

Justin Cone • 9 years ago

School Profile: Savannah College of Art & Design

Editor’s note: This is the first in a series of school profiles we’ll be sharing on Motionographer. The following profile was compiled in August, 2015. Since… Read more

Justin Cone • 9 years ago

Traveling without moving: Porta Estel·lar (Star Gate)

Projection mapped experiences hit a saturation point a few years ago, and it’s been a while since we’ve seen something that stopped us in our… Read more

Justin Cone • 9 years ago

Playgrounds Festival 2015 [NSFW]

Ten Dutch designers and studios collaborated to make the titles for this year's edition of the Playgrounds Festival. The result it one happy, random, neatly… Read more

Harm van Zon • 9 years ago

My Darling’s Shadow

Every frame of Conor Whelan's latest short, "My Darling’s Shadow," is a beautiful study of composition, color and reduction of form. I watched the film… Read more

Justin Cone • 9 years ago

School Profile: CalArts

Conceived by Walt Disney in 1960 and established through a merger of two older art schools, CalArts is one of the nation's premiere institutions for… Read more

Justin Cone • 9 years ago